Kamis, 28 Juni 2012

[S892.Ebook] Ebook Le Coup De Gigot ET Autres Histoires a Faire Peur ( livre audio 2 CD) (French Edition), by Roald Dahl

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Le Coup De Gigot ET Autres Histoires a Faire Peur ( livre audio 2 CD) (French Edition), by Roald Dahl



Le Coup De Gigot ET Autres Histoires a Faire Peur ( livre audio 2 CD) (French Edition), by Roald Dahl

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Le Coup De Gigot ET Autres Histoires a Faire Peur ( livre audio 2 CD) (French Edition), by Roald Dahl

Qui pourrait croire que derrière cette paisible ménagère, si tendre et si attentionnée avec son mari, se cache une terrible meurtrière ? Et cette logeuse débordante d'amabilité et de gentillesse, comment ne pas lui faire confiance ? Mais attention ! Les apparences sont parfois trompeuses... Voici quatre histoires à l'humour plutôt macabre dont l'écoute vous fera frémir !

Titre disponible chez Gallimard Jeunesse, collection «Folio Junior» n° 1181

Tour à tour ironique et malicieux, Claude Aufaure nous raconte ces délectables histoires «à faire peur». De sa voix timbrée servie par une diction parfaite, il nous entraîne sur des chemins entre rires et grincements de dents...

Durée d'écoute : env. 2 h 20 min

Texte intégral

L'écoute en classe de ces CD est autorisée par l'éditeur

  • Sales Rank: #6997034 in Books
  • Published on: 2011-10-06
  • Original language: French
  • Dimensions: 5.51" h x 4.92" w x .51" l,
  • Binding: Audio CD

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Senin, 25 Juni 2012

[V891.Ebook] Fee Download Fifteen Hours (Warhammer 40,000), by Mitchel Scanlon

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Fifteen Hours (Warhammer 40,000), by Mitchel Scanlon

Basic Training: Four Months. Planetary Transportation: Seven Weeks. Life Expectancy...Fifteen Hours. the stalwart troops of the Imperial Guard are the first line of defence against the nemerous foes of the Imperium. Their heroisn and courage is renowned across the galaxy and their armoured might has crushed countless rebellions and invasions. This action packed novel tells the story of a lone guardsman and his baptism of fire in a combat zone where the average expected lifespan is a mere fifteen hours. Fighting hand-to-hand against the barbarous orks, he must draw upon all of his training if he is to live to see another dawn. The horrors of war are only too real in this harrowing tale of carnage and valour!

  • Sales Rank: #1046592 in Books
  • Published on: 2005-07-12
  • Original language: English
  • Number of items: 1
  • Dimensions: .65" h x 4.20" w x 6.82" l,
  • Binding: Mass Market Paperback
  • 256 pages

About the Author
Mitchel Scanlon is a hot new talent residing in the sheep-infested valleys of Derbyshire. His first break was with the Black Library's Warhammer Comic and the character Hellbrandt Grimm. He is currently the writer of Hellbrandt Grimm, Lillana Falcone and Of Ancient Blood and has had fiction published in Infernol magazine.

Most helpful customer reviews

36 of 40 people found the following review helpful.
Fifteen Hours is not enough
By John T. Miller IV
From the first sentence: "The sky was dark, and he knew he was dying" Mitchel Scanlon's first Black Library novel, Fifteen Hours, sweeps the reader up in a darkly evocative and almost sublimely grim tale of the recently conscripted Imperial Guardsmen Arvin Larn. It is clear that due to his attention to detail and the novel's seamless transition from the pastoral agri-planet of Jumal IV to the war-torn streets and trenches of the city of Broucheroc that Scanlon has a firm grasp of both the facts and the nuance of the bleak and violent future of humanity. He shows this knowledge in both in the far-distant future universe of Warhammer 40,000 in general and it's foremost military machine, the Imperium of Mankind's Imperial Guard in particular.

Scanlon further punctuates the first person experiences of Trooper Larn with the occasional interlude where we are presented with insights into the characters and personalities of the Imperium that caused Trooper Larn to come to be at this hell-hole of a planet where he doesn't belong and in a war he has no part. We see through eyes and hear the thoughts everything from an Administratum Scribe to the Grand Marshall of a planetary army. Through these interludes we gain a further insight and the very real sense of an ominous future.

This is not a novel for the feint of heart. Mitchel Scanlon is almost aggressive in his realistic portrayal of the dark and at times hopeless life of a lowly infantryman of the Imperial Guard. He is, without a doubt, the first author of the Warhammer 40k universe that may actually present the universe as too grim, if such a thing can be said and it is clear he is no fan of the officer ranks. At times, this reality he confronts you with is so surprising that it will hit you in face and leave you jarred for a chapter or two. However, there is a method to Scanlon's madness, his sensuously morbid portrayal of the universe makes those rare moments of Pyrrhic victory, of laugh-out-loud levity, and even of hope feel all the more powerful and moving. I don't mind telling you, its one hell of an experience.

13 of 15 people found the following review helpful.
A cut above average 40K fiction, and fantastically evocative
By Amazon Customer
I'll admit it right away: a significant proportion of the 40K fiction that I've read seems almost as though it's written itself. While this certainly has something to do with how rich the universe is -- and how well Games Workshop has fleshed out so many aspects of that richness -- it can leave Black Library novels feeling a bit stale.

I have found very few BL books satisfying -- the only three in the past few years have been the uniformly wonderful Uriel Ventris novels from Graham McNeill. This book was certainly satisfying, but in a much different way.

As a child, I read Remarque's "All Quiet on the Western Front" and it helped to change my boyish illusions of war forever. This book -- truly, a novella more than a novel --, while certainly not "All Quiet" by any means, evokes those same feelings. There is a power in this story that is well-expressed by the soldier who reviewed it: this is how it is. This is not madmen in power armor cleaving through thousands of tyranid monsters while sustaining minor scratches -- it's war.

To those that mentioned the unsatisfying ending, the unpolished prose, and the ease with which they were able to put the book down, I ask: do you believe that reality always has a satisfying ending, especially for those that take up arms to protect us? Are you certain that you were not tempted to take up a more formulaic and rosy book, rather than face the harsher ugliness of this one?

As for the unpolished writing -- I agree, there were some spots that could have been better edited. However, I question any unfavorable comparison between this and other pieces of Black Library fiction: even the excerpts from "Gaunt's Ghosts" included in the Imperial Guard codex itself could have used some fairly heavy editing.

In short, I found this book to be a readable, evocative account of life and death. That it took place within the 40K universe is secondary. The story itself was excellent and well-told. In a way, I feel as though this book may, as mentioned by another reviewer, have been a bit darker than other 40K fiction, and therefore a bit mature for the folks who have come to expect the sword-spinning antics of superhuman genetically-engineered monsters.

A great book: definitely worth a read.

12 of 14 people found the following review helpful.
This is a Guardsman not a Marine... (or Rambo!)
By Raistlin Majere
Imperial Guard... ATTACK!!!

Wow.. I've read this book in two days. For me it's fast 'cause I don't have much time unless you count the trips to work and so...

This is Mr. Scanlon first book. I think he did an exclent work. I've read the reviews and most of all agreed this is a fast turning book. It's catching and it's not for the feint. I've read some parts that make me feel I was in that battlefield.

It remind me some stories about WW I in the trenches. It add some good perpective about the guardsman life and the connection between them and their superiors.

There is one part that blow me away and made me tremble..

"From the corners of his eye Larn caught gimpses of the others around him. He saw Bulaven, a lasgun in his hands taken from other Guardsman. He saw Davir. Scholar. Zeebers. He saw Chalker, his expression cool and detached, working the slide of his shotgun to send round after round into the enemy. He saw Vladek. Medical Oficer Svenk. The cook, Trooper Skench, a laspistol blazing in his one remaining hand as he stood besides others. He saw their faces. Scholar drawn yet steadfast. Bulaven dutiful, Zeebers nervous, Davir spiting obscene and angry oaths at the advancing orks. He saw steely determination and a refual to go easily to death. AS he saw it, Larn felt a feelting shame that he had doubted these men when he had first met them. Whatever their manner they were all wahat a Guardsman should be. Brave. Resolute. Unbending in the gace of the enemy. These were the men on which the Imperium had been built. The men who had fought its every battle. Won its every victory. Today, they were hoepelessly outnumbered.

Today it was their final stand.

(page 227)

After reading this book, and before as well I prefer the guardsman stories than to Marines stories.

Other reviewer said this was a teeneger writing or something. I agree. It's not like Dan Abnett or Ian Watson. But I guess this "teenager" writing made this book even greater. The common soldier is not a writer or poet. I guess that made us see almost from the eyes of the main character. It was good also 'cause the pages were turning even faster.

Overall.. If you want to read about a common guardsman and not a hero like Rambo I would reccomend this book.

You won't see here a man who have kill 1001 orks while drinking beer.

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Minggu, 17 Juni 2012

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Introduction to Heat Potential Theory (Mathematical Surveys and Monographs), by Neil A. Watson

This book is the first to be devoted entirely to the potential theory of the heat equation, and thus deals with time dependent potential theory. Its purpose is to give a logical, mathematically precise introduction to a subject where previously many proofs were not written in detail, due to their similarity with those of the potential theory of Laplace's equation. The approach to subtemperatures is a recent one, based on the Poisson integral representation of temperatures on a circular cylinder. Characterizations of subtemperatures in terms of heat balls and modified heat balls are proved, and thermal capacity is studied in detail. The generalized Dirichlet problem on arbitrary open sets is given a treatment that reflects its distinctive nature for an equation of parabolic type. Also included is some new material on caloric measure for arbitrary open sets. Each chapter concludes with bibliographical notes and open questions. The reader should have a good background in the calculus of functions of several variables, in the limiting processes and inequalities of analysis, in measure theory, and in general topology for Chapter 9.

  • Sales Rank: #5314622 in Books
  • Published on: 2012-04-11
  • Original language: English
  • Dimensions: 10.25" h x 7.25" w x .75" l, 1.42 pounds
  • Binding: Hardcover
  • 266 pages

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Jumat, 08 Juni 2012

[E854.Ebook] Ebook Free Atlas of General Surgery, by Volker Schumpelick

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Atlas of General  Surgery, by Volker Schumpelick

The Atlas of General Surgery is a highly practical, how-to reference for the most frequently performed operations. For precise and quick orientation, each surgical chapter presents a brief introduction to surgical preparation, anesthesia, positioning, relevant anatomy, risks, complications, and postoperative care, and then illustrates the operative technique through excellent drawings and detailed legends.

Key features:


  • Covers all common surgeries any general surgeon needs
    to know
  • Step-by-step guide to each operative procedure
  • More than 1,200 high-quality drawings demonstrate
    surgical anatomy and technique, with each illustration showing one operative
    step
  • Didactic page layout allows for easy comprehension of
    the material
  • Practical tips, tricks, and pitfalls highlight crucial
    information


Ideal for all surgeons in training the Atlas of General Surgery is a handy, one-volume
text that provides an overview of this broad field. It also serves as a valuable
reference for the bookshelf of practicing surgeons who would like to consult a rapid review before surgery.

  • Sales Rank: #1936725 in Books
  • Brand: Brand: TIS
  • Published on: 2009-03-11
  • Original language: English
  • Number of items: 1
  • Dimensions: 12.20" h x 1.60" w x 9.30" l, 6.15 pounds
  • Binding: Hardcover
  • 620 pages
Features
  • Used Book in Good Condition

Review
"This text can serve to fill gaps in basic knowledge. Each procedure is so clearly and systematically described ...that the text [will] serve students and practicing professionals." -- booknews.com

""An 'All inlcusive' book as a helpful instrument in everyday practice. " Annals of the Royal College of Surgery January 2011"

"[Four stars] Lavishly illustrated...uses clear, full-color drawing to supplement lucid, clear, succinct text...illustrations...are exceptionally well done...an excellent book."--Doody's Review

This text can serve to fill gaps in basic knowledge. Each procedure is so clearly and systematically described ...that the text [will] serve students and practicing professionals. -- booknews.com"An All inlcusive book as a helpful instrument in everyday practice. Annals of the Royal College of Surgery January 2011"[Four stars] Lavishly illustrated...uses clear, full-color drawing to supplement lucid, clear, succinct text...illustrations...are exceptionally well done...an excellent book.--Doody's Review

From the Back Cover

The "Atlas of General Surgery" is a highly practical, how-to reference for the most frequently performed operations. For precise and quick orientation, each surgical chapter presents a brief introduction to surgical preparation, anesthesia, positioning, relevant anatomy, risks, complications, and postoperative care, and then illustrates the operative technique through excellent drawings and detailed legends.

Key features: Covers all common surgeries any general surgeon needs to know Step-by-step guide to each operative procedure More than 1,200 high-quality drawings demonstrate surgical anatomy and technique, with each illustration showing one operative step Didactic page layout allows for easy comprehension of the material Practical tips, tricks, and pitfalls highlight crucial information

Ideal for all surgeons in training the "Atlas of General Surgery" is a handy, one-volume text that provides an overview of this broad field. It also serves as a valuable reference for the bookshelf of practicing surgeons who would like to consult a rapid review before surgery.

About the Author
Professor and Chairman, Dept. of Surgery, University Hospital Aachen, Aachen, Germany

Most helpful customer reviews

0 of 0 people found the following review helpful.
there are worse, but I didn't find it very helpful
By Steve udelhofen
I graduated surgical residency in 2015 and used this atlas during my residency. It was OK, there are worse, but I didn't find it very helpful. I liked Mastery better which is intended to be a text but works well as an atlas as well.

0 of 0 people found the following review helpful.
Five Stars
By Aner Dzukljan
I love it

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Kamis, 07 Juni 2012

[P234.Ebook] Ebook 100 Words Kids Need to Read

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100 Words Kids Need to Read

Each workbook reinforces the100 words that children need to know – and it helps them master comprehension, spelling, writing, and usage of each word. Includes:

• Fill-in-the-blank stories and sentences

• Word riddles, games, and puzzles

• Stories that present the words in context

• "Guess the Word" activities

• Word classifying and sorting activities

• Practice using irregular verb forms

• Proofreading practice For use with Grade 3.

  • Sales Rank: #10058 in Books
  • Brand: Scholastic Teaching Resources
  • Published on: 2002-01-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.50" h x .5" w x 8.10" l, .20 pounds
  • Binding: Paperback
  • 32 pages
Features
  • 8 x 10 1/2

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By A. Savage
This was the ideal accompaniment to other reading concepts that I used to introduce my daughter to 3 grade words, building on the words she knew form 2nd grade

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helpful
By Amber Burkhart
I am using this as a guide to help my son with reading and comprehension. 3rd grade has been a challenge for us and every little bit helps.

4 of 5 people found the following review helpful.
Nice book but a bit on the thin side.
By Tony
My girls love these scholastic books. What better way to help them continue to learn than learning while having fun. The stuff in this book is great. My only disappointment is that this book is a bit thin compared to the other scholastic books like this I have bought. Overall, for the price and money, it's an OK buy.

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Selasa, 05 Juni 2012

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Warning Shadows: Home Alone with Classic Cinema, by Gary Giddins

A brilliantly insightful and witty examination of beloved and little-known films, directors, and stars by one of America’s most esteemed critics.

In his illuminating new work, Gary Giddins explores the evolution of film, from the first moving pictures and peepshows to the digital era of DVDs and online video-streaming. New technologies have changed our experience of cinema forever; we have peeled away from the crowded theater to be home alone with classic cinema. Recounting the technological developments that films have undergone, Warning Shadows travels through time and across genres to explore the impact of the industry’s most famous classics and forgotten gems. Essays such as “Houdini Escapes! From the Vaults! Of the Past!,” “Edward G. Robinson, See,” and “Prestige and Pretension (Pride and Prejudice)” capture the wit and magic of classic cinema. Each chapter―ranging from the horror films of Hitchcock to the fantastical frames of Disney―provides readers with engaging analyses of influential films and the directors and actors who made them possible.

  • Sales Rank: #724674 in Books
  • Published on: 2010-04-19
  • Released on: 2010-04-19
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.30" h x 1.10" w x 6.20" l, 1.02 pounds
  • Binding: Paperback
  • 416 pages
Features
  • ISBN13: 9780393337921
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

From Publishers Weekly
Critic Giddins (Bing Crosby: A Pocketful of Miracles) gleans fresh insights from novel juxtapositions in these essays drawn from his newspaper reviews of DVD collections. The DVD collection's raison d'etre is to group movies around organizing principles, which here run the gamut from Hitchcock retrospectives to Disney nature docs to Hollywood literary adaptations to charming oddities like a collection of silents starring Harry Houdini. The downside to reviewing them is that Giddins must glance at lesser works with little to recommend them, though he'll often notice a fine performance, catchy score or radiant lighting scheme gleaming through the dross. The payoff is the themes that emerge as he sifts a wealth of comparisons and contrasts. These range from the failings of Rodgers and Hammerstein (The Sound of Music is the happiest of all musicals involving Nazis) to keen evocations of a movie star's aura, the casually authoritative stance of an Edward G. Robinson or the mulish twisting between bashful affability and cries de coeur of a Jimmy Stewart. Giddins is the ideal couch companion, erudite but relaxed and witty; his perceptive commentary shows that it's not what you watch, it's how you watch it. (Apr.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Although best known as the Village Voice’s longtime jazz critic, Giddins commands pop-culture expertise beyond music. Recently he’s been writing reviews of DVD releases of classic films for the New York Sun. As Giddins notes and the collection’s subtitle suggests, despite having become society’s default viewing method, “DVD and Blu-ray . . . remain substitutes for the intended experience”; the book’s dedication to some three-dozen defunct New York theaters affirms that his heart remains in the movie house. Although new assessments of decades-old releases inherently lack the immediacy and relevance of reviews of current works, they allow Giddins to offer well-considered views of classics both vintage (The General, King Kong) and modern (Blade Runner) and of celebrated directors like Ford, Hawks, and Lubitsch. He tackles some relative obscurities as well, from a collection of German Expressionist silents to foreign masterworks by Lech Majewski and Peter Watkins. The collection may not be as valuable as Giddins’ award-winning jazz writings, but it’s a worthwhile read for movie lovers as well as a useful buying guide. --Gordon Flagg

Review
[S]hould be in the knapsack or survival kit of every Golden Age Hollywood enthusiast/amateur scholar/completist queen as a standby Bible for instruction, inspiration, and succor. --James Wolcott"

Witty, informed, insightful...Warning Shadows makes me want to watch or re-watch nearly every movie [Giddins] discusses. --Lawrence Levi"

Giddins is the ideal couch companion, erudite but relaxed and witty; his perceptive commentary shows that it s not what you watch, it s how you watch it. "

Most film fanatics I know keep several film guides within arm's reach of their home cinemas, then use supplementary texts by such writers as Peter Bogdanovich, Gerald Mast and Ephraim Katz. To this batch on my shelf, I have added Warning Shadows. --William Kist"

Giddins writes with empathy and insight on such cinematic icons as Edward G. Robinson and Joan Crawford, paying close attention to the meanings of their mannerisms and their enduring fascination as creators of quirky behavior. The essays on directors Samuel Fuller and Sidney Lumet are shrewd appreciations of their cinematic styles; unlike most film reviewers, Giddins knows his way around visual language and uses his jazzy sense of verbal style to zero in on cinematic touches that convey a vision of the world. --Joseph McBride"

[Giddins'] first book wholly devoted to movies is the real deal, a deeply reflective work bristling with the kind of scholarship that also feels spontaneous.... Giddins s headlong sentences and rapid-fire associations sometimes remind me of Preston Sturges: the apparent chaos is under total control. --Tim Appelo"

Most helpful customer reviews

25 of 26 people found the following review helpful.
Informed and Informative
By Michael Samerdyke
This collection of essays on films and filmmakers is a delight to read. It gave me the feeling of listening to an informed and charming person who can talk about films without ever once resorting to academic jargon.

I came away from "Warning Shadows" impressed by the depth and breadth of Giddins' knowledge. Not only does he write sensibly about Orson Welles, John Huston and Alfred Hitchcock (and say interesting things about these filmmakers) but he can also pinpoint the best film made by the nearly forgotten John Brahm, offer perceptive comments about lesser-known films of the Weimar era (which is where he draws the title of his book) and even view the "Indianerfilm" of the former East Germany with intelligent curiosity.

The only drawback with "Warning Shadows" is that most of the essays are about four pages long. (They were originally written as DVD reviews.) Giddins should use his expertise on film to attack a subject at a longer length.

Still, if you think film history is too important to be left to the professors, this is a book to read.

16 of 18 people found the following review helpful.
Me and My Shadows
By Roochak
Gary Giddins seems to have seen and read everything, which one would expect of a professional critic, yet his literary voice is that of a populist, a thinker who lives and breathes aesthetics but writes from the conviction that cinema, like jazz, is fundamentally a folk art, however rarefied.

This is where things get dicey. Public exhibition, Giddins argues in his opening essay, "Home Alone with Classic Cinema," is an integral part of the movie watching experience: "Only in a crowd is the viewer borne away on waves of joy and sorrow and recognition." Freed by our DVD players from lack of parking, overpriced concessions, and babblers in the audience, we have virtually unlimited access to good films, and fewer people to watch them with. If Giddins is right, that isn't cinema; it's television, or parlor entertainment.

Still, when it comes to an informed appreciation of those films, it's a pleasure to read him. Recent blockbusters don't interest him; as he says of one little-known, European avant-garde director, "[his] films are the sort about which mainstream reviewers remark, 'not for every taste.' Nor is THE DARK KNIGHT for every taste." What interests Giddins are the pleasures of Bette Davis's operatic acting; the Freudian fantasies of German Expressionist cinema; the energy and intelligence of Sidney Lumet movies; Hollywood biopics worthy of their subjects (YOUNG MR. LINCOLN, LUST FOR LIFE); and, among other bits of movie history, the wonderfully weird story of how Walt Disney and Nelson Rockefeller joined forces to fight the Nazis with cartoons and samba.

WARNING SHADOWS (those on Plato's cave wall, of course) is both an elegy for the near-extinction of the moviegoing experience and a celebration of a large number of movies that made it all worthwhile.

9 of 10 people found the following review helpful.
An essential companion to any Classic Movie DVD collection
By Jon Oye
While best known as the long time jazz critic for the Village Voice, Gary Giddins "gets" movies. He intimately comprehends, and has the uncanny ability to bring into focus for the reader, not only the bigger picture (which he does, breathtakingly, in an amazingly astute overview of the full-circle journey of motion picture viewing since the turn of the last century in the first chapter of his new book, "Warning Shadows: Home Alone With Classic Cinema"), but also the diverse intricacies of genres and sub-genres, of film directors' entire oeuvres, of the basic, indefinable stuff that makes us love to watch movies, even when we're home alone.

In "Warning Shadows," a collection of Giddins' DVD reviews for the now defunct New York Sun, he succinctly yet sagaciously delves into the works of time tested auteurs and much-appreciated actors and stars as well as overlooked geniuses and forgotten, would-be masterpieces. He adroitly notes, for instance, that Alfred Hitchcock has had the last laugh on his many biographers and critics by remaining the most durably popular studio-era film director in the English-speaking world, and he illuminates in two essays about the often misinterpreted and misunderstood John Ford more than some have managed in entire volumes.

Giddins writes in his piece on Noir-cum-Western-cum-Sixties Epic auteur Anthony Mann, "The 1950s were arguably the greatest years of the Western, the period in which generic formulas were at once sustained and destabilized through psychology, revisionism, high style and the kind of grandeur that follows when the most durable clichés are reframed against classical paradigms." In the same manner Giddins reinterprets much of what has come to be accepted (or dismissed) as cliché in classic cinema, and reframes individual films and entire bodies of work within fresh new evaluations that make you want to watch them.

Beneath the analytical surface, it's disarmingly obvious in every critique that Giddins is an unabashed fan of cinema, and this fact, palpable in each line, makes the book an absolute joy to read, for the rest of us unabashed fans as well as the casual reader who may wish to learn more about the defining art form of the twentieth century and some of its most adept practitioners.

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Minggu, 03 Juni 2012

[E234.Ebook] PDF Download Conceptual Art: Theory, Myth, and PracticeFrom Brand: Cambridge University Press

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Conceptual Art: Theory, Myth, and PracticeFrom Brand: Cambridge University Press

Conceptual art consisted of a loose collection of related practices that emerged worldwide during the 1960s and 1970s. This collection of essays offers readers a wealth of new research on the earliest international exhibitions of Conceptual art; new interpretations of some of its most important practitioners; and a reconsideration of the relationship between Conceptual art and the intellectual and social context of the 1960s and 1970s. Of special note are the contributions that focus on the explicitly social and political aspirations of this influential avant-garde artistic practice.

  • Sales Rank: #2727942 in Books
  • Brand: Brand: Cambridge University Press
  • Published on: 2003-12-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.72" h x .79" w x 6.85" l, 1.80 pounds
  • Binding: Paperback
  • 380 pages
Features
  • Used Book in Good Condition

Review
'... these contributions open up a welcome historiography of this period.' Art Monthly

'This detailed anthology is an expert recalibration of a theme thinly offered by recent publications. This anthology shows that the legacy of conceptual art remains a transfiguring subject for critics and, if so desired, becomes a profound interrogation for curators. Make it your guide.' Journal of Visual Culture

'... this is an incisive and scholarly contribution to the extant literature which ... may well become a benchmark for serious study of the subject area.' Art History

About the Author
Michael Corris has exhibited in galleries and museums internationally since 1972 and is represented in public and private collections in North America and Europe. His writings on art and art theory have been published widely: in artist-run publications (Art-Language, The Fox, and Red-Herring), scholarly journals (Word and Image, Art Journal, and Art History), and the international art press (Artforum, Art+Text, and Art Monthly, among others). Currently, Dr Corris is the editor for a new series of monographs on art since the 1980s (forthcoming 2013), continues to work with colleagues on the editorial board of Transmission Annual (which he co-founded in 2008 with Jaspar Joseph-Lester and Sharon Kivland), and in 2014 will assume the post of book reviews editor for the College Art Association's contemporary art publication, Art Journal.

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Sabtu, 02 Juni 2012

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  • Sales Rank: #8223511 in Books
  • Published on: 1995-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x 7.50" w x .50" l,
  • Binding: Paperback
  • 256 pages

From the Back Cover
Professional CRM techniques customized for single-pilot operations! Cockpit Resource Management: The Private Pilot's Guide is the first manual to transfer lifesaving CRM techniques to the private pilot/single operator environment, showing you how to: handle distractions; recognize and circumvent potential emergency situations; reduce cockpit workload; be aware of hazardous attitudes; sharpen your judgment; improve decision-making skills; increase situational awareness. The key says Turner, is toset realistic goals for each flight, and to prioritize these goals to maximize safety. Step by step, Turner demonstrates how, through a clear and logical presentation of CRM skills and techniques, from preflight to landing. Case studies provide vivid examples of CRM in action. This fully updated second edition includes the latest safety regulations and accident studies, recent and pending changes in regulations, and a greatly expanded teaching chapter.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Very well done from a talented writer who knows his ...
By Stuart Spindel
Very well done from a talented writer who knows his subject well. Could use an update though.
I have given copies of this book as gifts to other pilots.

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