Fee Download Moliere: the Misanthrope & Tartuffe, by Jean Baptiste; Wilbur, Richard (translator) Poquelin De Moliere
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Moliere: the Misanthrope & Tartuffe, by Jean Baptiste; Wilbur, Richard (translator) Poquelin De Moliere
Fee Download Moliere: the Misanthrope & Tartuffe, by Jean Baptiste; Wilbur, Richard (translator) Poquelin De Moliere
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- Sales Rank: #1806447 in Books
- Published on: 1965
- Number of items: 1
- Binding: Paperback
- 325 pages
Most helpful customer reviews
15 of 17 people found the following review helpful.
Brilliant Balletic Comedy & Translation
By Jon Linden
In both these plays, Wilbur brings Moliere's true genius to real life. Previous translations of Moliere's work pale by comparison to Wilbur's brilliant translations. It was my feeling, that would Moliere by alive today, and writing in American English, he would write the way Wilbur translated it.
In comparison to prose translations in the past, Wilbur, past US Poet Laureate and Pulitzer Prize winner, truly gives the reader the real feeling of Moliere's "Balletic Comedy" style, as Moliere used his poetry and comedy to make complex and serious points about life of "regular" people, as opposed to royalty such as Shakespeare concentrated on, and so many other playwrites of the past.
In reading Wilbur's translations, one can virtually imagine the cast prancing and mincing across the stage as they humorously render these rhyming couplets at each other, and the audience. The true genius of both Moliere and Wilbur is illustrated most profoundly and strikingly in these translations. Any true lover of Moliere, and even those who have never read him before, should treat themselves to Wilbur's translations for a Moliere experience, that is unparalleled in any other versions previously published.
0 of 1 people found the following review helpful.
Three Stars
By Ana
great condition, but if you read it for a class it has some humor.
1 of 2 people found the following review helpful.
The misanthrope and the religious hypocrite
By Shalom Freedman
Moliere's leading characters often have one major negative trait which dictates their behavior throughout the play. In this they often seem to be mechanical stock characters and not flesh- and - blood living human beings. In 'The Misanthrope' Alceste believes he must tell the truth to everyone he sees. This is despite the advice of his best friend Philinte. Alceste alienates everyone. At the same time he is madly in love with with Celimene. He wants her to go away with him to retreat from hypocritical society. She however flirtatious and light - minded prefers society to him. The play closes with Philinte trying to persuade Alceste not to leave society completely.
In the second play in this volume the leading character is a religious hypocrite. He finds his way into the heart and mind of a wealthy gentleman Orgon and dominates his family life. Tartuffe steals his money , leads Orgon to disinherit his son and offer his daughter to Tartuffe in marriage. Tartuffe attempts to seduce Orgon's wife. Orgon is convinced to hide under a table where he overhears Tartuffe's entreaties. Orgon then decides to eject him from the family but cannot. It is only with the intercession of the king that the religious hypocrite is stopped. This play raised a furor in its day and the Church opposed its production. Moliere's patron Louis XIV allowed its production in private but only after five years allowed its public staging.
In both these plays Moliere viciously satires the human propensity to remain fixed and static in one's own character, and reaction to reality. He derides human folly but always with the redeeming grace of laughter.
For the contemporary reader of the work who does not feel the special force of the work in its original language there often may seem something forced and artificial in the work. Moliere's work it seems to me gain much from being staged and to know them truly reading alone is not enough.
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